Portfolio

Highlights

This props running sheet showcases my skills at attention to detail and customization to crew preferences. Throughout the tech process, I consistently asked for crew feedback and adjusted my run sheet accordingly until it was exactly what they needed to run the show.

This piece of paperwork is worth showcasing in my portfolio because it shows the level of intricacy of this show props wise, and my skills in creating paperwork using digital resources. I used the same images that I made for the props running sheet to help create a sense of consistency and reference among the documents and to make it as easy as possible to understand.

The pages above are from my ASM score for Hansel und Gretel. This show tested me in my ability to organize my cues and make my score pages as intuitive as possible for myself and others to follow if they had to fill in for my track. I specifically chose the pages during one of our more complex sequences to display my skills in creating effective score pages for complicated show moments.

This piece of paperwork was one of my proudest creations this year because the preset for this show was so unique and specific and also changed a lot during its development. This was a two performance show so it was designed with that in mind, and also shows my ability to create a document that is effective in a short period of time that is unique in style.

This paperwork may look unexceptional but it was asked of me, as PA, to create a document tracking the many many specific props used in Act 4 of Carmen. I wanted to make it 1 page so that the ASMs could store it in their books and check for accuracy, and I found this table format to be the most effective, clear solution.

I’m including this running sheet because it is one of my most organized and nicest formats of Wardrobe Run Sheets that I have created and it again shows my dedication to crew feedback (which is why there are scene headers and certain notes).

This Youth Minding sheet shows that my skills in making running paperwork for props and costumes are also very much applicable in making running paperwork for children. It was a great learning experience for me to make a piece of paperwork designed for people who might not know much about theatre and need as little theatrical lingo included as possible.

I included the checklist above because it showcases how I breakdown my preshow activities and ensure everything gets done in a timely manner.

I chose to included this costume change plot as it was one of the more intense plots that I have created for a play. It became essential to label each actor’s track based on their costumes and having to organize was confusing without my organization in this document.

I included this Intimacy/Fight document because it showcases that I have training in intimacy and fight calls and how to conduct and organize the information in order to keep actors safe. It also showcases my process in running fight calls and the order in which I chose to run them, since there were so many.

The paperwork above is a page from my blocking script for Imogen Says Nothing. This shows how I organize and take blocking for a play.

I like to include this piece of paperwork in my portfolio highlights because blood tracking is such a specific thing that needs the level of detail in tracking that fight/intimacy. I had never seen any document tracking blood the way that I needed for this show so this paperwork is pretty unique to what I’ve seen out there.

The preset charts above are important to me to include in my portfolio because on this show I was lucky to receive renderings which I used to my advantage when making presets since there were multiple unit sets with very specific presets. I really value my attention to detail and specificity.